Lazy Feet

A VERY common mistake for leads is LAZY FEET.

After a while they realize, they can get away with NOT STEPPING simply because they can.

But they don't realize it looks really bad and it doesn't help the follow keep the rhythm at all.

The most common lazy feet for beginners is the Enchufla step. Very often they don't step on count 2 and 6, result? They lose count and go on wrong foot!

For intermediate dancers, lazy feet often come in when they learn styling or moves where the lead does not need to move (or step). They will love it so much that some end up sliding all over the dance floor.

ANY styling, if done once is a while, can look nice, but if repeated ALL the time, it looks really bad!

So guys, don't be lazy, STEP!!

Bastard Moves

There is a type of turn pattern that is often referred to as Bastard moves.

Typically, these turn patterns will move the girls in very unconventional directions and counts.
Not only that, it also often involves CHANGING the direction of turn EVERY count!

Thus the girls need to be really alert in order to follow them nicely. Note --> NICELY

Why?

Coz, if the lead is a good 'planter', the follow doesn't really need to know what's happening :)
She'll be flyng and turning all over the dance floor executing moves that she doesn't even know about or have any idea what she looks like while under the control/guidance of the lead.

I've successfully used a series of such moves on beginners who knows how to shift their weight by the count (that's the only real requirement). But it only came with LOTS of practice!!

Also, bastard moves will feel less 'bastard' if the lead knows how to lead early. Those who lead too late will often fail or make it look ugly..

BTW, use such moves sparingly coz it can be quite a scary roller coaster ride for the girls :P

Practice-in-Secret Syndrome

There are many learner dancers who like to practise in 'secret'. They don't like people to see them being bad, and only want to show off AFTER they think they've mastered something.

Well, I'm not sure how this mindset came about. Is it Pride? Ego? Face? Whatever the reason is, it’s NOT a good thing.

Why? Unless the learner is so talented that he can spot his own mistakes, doing so would often lead him into practising mistakes to the extent that it'll take much extra effort to unlearn them later!

In some dance schools where the teachers are always around to watch and help, one should take advantage of this and dance right in front of them.

Also, sometimes all you need is just ONE small tip from the instructor to help you get a breakthrough at some points where you were stuck.

Old Articule: How do you define a good dancer? (With regards to a guy, playing role of a lead in salsa)

I wrote this some time back.... Angela sent it back to me for some comments/corrections before she publish it :)
So I'm posting it here for the records :)

By Wai Hwang, 19 January 2007

A friend commented to me (strangely, friend’s comments often trigger my inspiration to write) that someone we both knew (name not to be mentioned here for political reasons) seems like a very good dancer. Ironically, I’ve recently received feedback from a lady friend (a very good follow) that this same guy (who looked like a very good dancer) is a very bad lead that doesn’t take care of the lady.

How then did this guy create the impression that he’s a good dancer? Well, for one, he does have the style and attitude. You know, the confident air/aura that many good dancers have. As a result, people who watch him dance would think he looks really good. And if he only dance with very good follows (who can compensate for his not so good lead), it would make him stand out from the crowd without revealing his weaknesses.

In my personal opinion, as a lead, our 1^st priority should be the lady, so that she enjoys the dance, so that she looks good. (Some people may not agree though)

To me, the greatest compliment that I can get, would the happy face of a lady during/after the dance. Because of this, my focus throughout my journey of learning salsa so far, had been on leading. (I will be writing a separate article on this). Xenbar’s system had allowed me to progress in this area in a very interesting manner. Because I get to dance with a wide range of people with varying skill levels, I could actually tell whether my leading is “working as intended”. I have encountered a situation, where I’ve managed to help a 1^st time salsa dancer do a nice CBLT during her 1^st salsa class. She was so happy that she blurted out a comment “You’re very good, I could do this with you while I’m totally lost with XXX”. It was quite embarrassing for XXX, but this shows how important a good lead is to help the ladies follow and enjoy the dance. This is also why, the basic class in Xenbar’s system is so important.

While being a good lead is important, it is also important to look good while dancing. There is a need for balance, so that neither the lead nor the follow outshine the other too much. That is where styling, posture, etc. comes in. In terms of styling, again, my personal opinion would be that a lead should only go into styling AFTER he is able to execute the moves instinctively. In this way, he would not be sacrificing the follow’s experience of the dance for his own benefit.

While styling is important, there are a few important aspects to looking good. The often ignored part is what Justin would call how ‘clean’ move is executed. What is ‘clean’? My interpretation of this simplification of a very complex and abstract concept would be the precision of execution.

Things like:

• Straight lines for the ladies,
• timing of the steps (to the music)
• Hitting the right notes during the styling (pops, etc.)
• Acute awareness of one’s posture, position of every part of the body (arms, hand, legs, etc. no dangling hands) etc.

There are many more. Just for example, all the 50 points in the Basic Class in the ACDance (and SalsaAcademy) certification system, they all contribute to this aspect of looking good while dancing.

How to achieve ‘clean’ moves? There is no shortcut, but practice, practice and practice. BUT, more importantly, we must not be practicing the wrong things! Otherwise, we’ll only be reinforcing mistakes. This is where classes (both group and private), performances and competitions can help. More specifically, doing a choreographed dance can help. Because the moves are choreographed, instructors know exactly what is intended. This will make mistakes very obvious and easily corrected. This is one of the reasons (there are other reasons) why Xenbar actively pushes all our students to take part in certification exams where one component is a choreographed routine. Participation in performances and competitions outside regular certification exams will also give additional incentive and motivation for students to push themselves to achieve higher standards.

I have digressed much into areas of how to improve one’s dancing. Back to the topic of what is a good dancer…… the one last important ingredient is the ‘attitude’, the air of confidence.

This attribute alone can often mask out many of the mistakes……. to such an extent that the audience might not even notice the mistake! (That's why that 'not so good lead' looke d like a very good dancer)

To summarize, my definition of a good dancer (lead) should have all the following:

• Good lead
• Confident outlook / attitude
• Nice styling

In that order of priority/importance. I might have missed out other factors, do feel free to add on from here as a discussion.

Alamak, I missed out one last thing at the end.

HUMILITY - We must not mistake the 'air of confidence' with arrogance. There is a huge difference here.

No matter how much we have improved, how many awards we've won, etc. We must remember to remain humble in order to continue to improve. There are always people who are better out there, or people who are improving faster. Nobody is good in everything. There will always be an area of weakness that needs improvement. Sometimes, even comments from a very junior newcomer can help one see our own faults.

"What can I do to get girls to want to dance with me over and over again?"

This is not written by me, but it's what I do as well (except the smell nice part, kekek, maybe I should start using those perfume/cologne that Deffy gave me P). Earlier posts by me (e.g. ladder of moves) can help to achieve some of the points listed too.

VERY useful tips for all leads. Written by Jocelyn (Addicted2Salsa) in response to an email query.

Jocelyn's:

When it comes to what a follow likes in a lead, I think everyone is different. With that said, here's a few things that I prefer:

• Quality over quantity. I'd rather do the 6 moves you really know than the 26 you just learned and haven't worked on yet. In every song, I think it's fair to throw in a couple of new moves you're trying out, but I want the lead to make me feel comfortable and relaxed, and that means being sensitive to what you can and cannot smoothly lead.
• Be gentle, but clear. I like a lead that is firm enough to be understandable (no spaghetti arms), but not so stiff that I feel like I'm being dragged around. I think the job of the lead is to indicate what moves he wants and provide me some stability, direction and sometimes momentum, not to force me through the motions.
• I like a lead who tailors the dance to what I am capable of. Especially as a beginner and intermediate dancer, I always hated it when leads tried to get me through combo after combo that I was clearly having trouble with. Push me a little (I like a challenge), but don't make me feel bad about myself because I stumble through all your moves.
• Dress simply. Neat, clean is all I ask, and please make sure whatever you're wearing doesn't hit me (gold chains, jackets/blazers that flap around, wrist watch...)
• Smell nice. Deodorant and a small amount of cologne, if you want.
• Leave some time for shines/footwork. A whole song of combo after combo can be tiring - let me have a few 8-counts to show my stuff and interpret the music the way I want, plus you get a chance to think of some more moves.
• Smile! Hey, this is fun, right?

Be well,



Jocelyn (addicted2salsa co-host)

Link to original post from FB here

Different types of follows

When you start to social dance, u'll realize there are many many types of follows. As a good lead, one should be able to adapt to the follow to make her dance more enjoyable.

This is a general list (hopefully wont over generalize) but definitely not exhaustive:

1) Loves to shine
There are some follows that loves to shine. These usually belong to the highly skilled dancers who are not shy and are confident about their dancing. When u let them go, they dont want to stop :P (but sometimes, they dont stop coz they dont like you lead...... so u've gotta evaluate and reflect after your dance)

2) Hates to shine
Most beginner to intermediate follows hate to shine. It's because they seldom get to shine, haven't learnt it, not enough practice, not enough confidence, etc. etc. When u dance with this type of follow, if u let them shine, they'll give u the pleading look (or annoyed look) asking u to resume partner work.

3) fly all over the place
This can be due to several reasons. Some can't control their turn and direction. Some fly all over coz u threw them all over :P You challenge would to be hold them in check, control and make it easy for them to maintain their poise and position.

4) back lead
This often happens to follows who just started to learn how to lead. You can tell that their brain is not 'clear' and some often try to anticipate too much. As a result, they will back lead, giving too strong a feedback, or worse, force you into doing move u didn't intend to do. Such a type of follow also tend to be very heavy to lead. In general,.... don't try to fight them, u'll only waste your energy. You've gotta to very CLEAR and FIRM in your lead in order to control them. If they don't react as expected, just let them be (i.e. let them do what they want) and the dance will feel nicer and look better too.

5) ATAS (look down on you)
If you meet this kind of lead, don't be intimidated by them. Just do your own stuff, be confident and try to be as ATAS as them :P I've met follows who are like this and even made some excuse to leave the dance floor after only 3 counts of eight simply because they didn't think I could dance (I wasn't dressed like one and I'm kind of rounded in shape and I started with really simple moves). Well, it's their loss :P :P :P

6) Patient and laugh at every mistake
This is the '2nd best' kind of follow in my opinion. I was fortunate enough to meet quite a few who ALWAYS dragged me onto the dance floor whenever they see me. LOL, they were the ones who gave me the confidence to social dance after attending so many classes. They focus on having fun and enjoying the experience rather than stupid mistakes. You will always remember these follows. (why only 2nd best?)

7) Very tall girls (taller than you, with long long arms)
It's difficult to dance with such girls. Due to their height, it's very easy to hit their head. It's also difficult to spin or control them simply because you do not have the leverage. Their long arms also reduce the room for error in complex moves (but make certain moves easier, e.g. sexy titanic).

8) Those who gives very accurate and good feedback
Here comes the BEST follow in my opinion. They can know what went wrong with you execution of a turn pattern and often help you figure out the problem. These follows also can compensate for your mistakes and make you look good. Even when u throw them around, they usually can maintain their own balance. They are usually instructors :)

Shines (and Sabor)

Sabor means 'flavour'.
Why learn shines?

There are many good salsa songs that have sections which are simply not suitable for turn patterns. There will typically be parts where you "have to" do Afro Rhumba moves, or shines.

If course, u can still ignore it and do turn patterns, but it just doesn't feel right musically.

This is especially so when you've developed your dancing to be able to interpret the music and know what musicality is about.

Thus it is important to learn shines.

Beside the above, shine also gives Leads a VERY good way to improve their styling. Subconsciously, their body movement learnt from shines will creep into their posture, etc. when doing partnerwork. This will make them look a lot better when doing patterns!

Breaking in shines is also another level of leading, which goes beyond hand contact.... it's goes into play with music, visual contact with your partner, etc. Stuff which are really hard to describe with words, you simply gotta see it with your own eyes to understand.

If I can find a suitable video, I'll post here to illustrate this point.